Video processing: The Vizio M-Series behaved like I'd expect from a 60Hz TV in my motion tests, meaning it didn't reduce blur as well as higher-end sets with a 120Hz refresh rate. Wonder Woman standing atop the building (20:14) looked close enough between the three in her skin tone and red, blue and gold metallic costume that it was tough to tell them apart. Afterward it was excellent, as expected, and watching the muted palette of Justice League the M-series matched the others. The M's semi-matte screen finish reduced reflections better than the TCL 6-Series but was worse at preserving black-level fidelity.Ĭolor accuracy: Before my calibration for this review the most-accurate modes, Calibrated and Calibrated Dark, were quite good if somewhat bluish. Vizio's Calibrated picture mode delivered the most-accurate bright-room picture, which is well worth the loss of nits compared to the exceedingly inaccurate Vivid mode (the brightest) in my opinion. On the other hand the 65-inch MQ7 is still dimmer than the more-expensive models in the table below. In a bright room, that light output will allow the Vizio's image to look better than most other TVs at this price, like the Samsung Q60A, which maxed out at 461 nits with HDR on the 55-inch size. Yes, extremely high contrast scenes like the white titles on a black background looked a bit less impactful and more washed out on the M-series than the others, but for most scenes in the film it looked just as good with SDR.īright lighting: Vizio describes the 65-inch MQ7 as UltraBright 700, a refreshingly clear reference to its light output in nits, and according to my tests, the number is legit. When bright areas approached the bars, for example an airplane window at 38:54, the M controlled stray illumination (blooming) just as well as the other two, despite its much fewer local dimming zones. To their credit, all three TVs delivered with a roughly equally dark and excellent shade of black. Unlike most films, the Snyder Cut has a narrow aspect ratio (1.33:1) that places black bars to either side of the image, which also happens to make an excellent torture test for local dimming TVs. In dark scenes like the graveyard visit in chapter 2 (14:00) the black sky and shadows were just as dark and realistic on the M-series as the others. Dim lighting: For a dark room comparison I started with the Snyder Cut of Justice League on standard dynamic range Blu-ray, With brightness equalized the M kept up very well with the two more-expensive TVs.
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